Sinclair Ashman

Sinclair works with collagraph and experimental printmaking techniques involving texture, materials, form and structure. In Sinclair’s February talk he discussed his work and how he has made his most recent prints. He also shared with us how he has managed his projects during lockdown. This was a delightful talk and very well attended.  https://youtu.be/aVk8jo1Owdw

Continue reading

Sinclair Ashman presents a fascinating insight into his printmaking practice.

We are very pleased to invite PMC members to the second in our series of Zoom talks by PMC member Sinclair Ashman  Sinclair is a graphic designer and recently became the first Print Fellow at the University of Lincoln in their School of Design. Sinclair works with collagraph and experimental printmaking techniques involving texture, materials, form […]

Continue reading

Infernal Methods: some thoughts on the nature of the print By Michael Kennedy

  In 2008 Printmakers Council took part in a discussion at the Fine Art Trade Guild to identify common standards that might be applicable to both the original artist’s print and the giclee reproduction print.  Artists representing both groups were present and we were told that any agreed statements would be taken by the Fine […]

Continue reading

A Glossary of Printmaking Techniques and Processes compiled by Michael Kennedy

Aquatint: A means of producing tone, like watercolour, as an addition or an alternative to line in an etching. The plate is covered with melted grains of resin and then put into acid, which bites into the metal around each grain, leaving white dots when printed. Stop-out varnish is used to protect areas during second […]

Continue reading

Offers Historic Star Wheel Etching Press for sale. Excellent Working Condition Press Bed 46cmx 122cm telephone 01484 768662 mobile 07748131459 hambandr@aol.com .

Continue reading